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Le Marais is a singular short film, taken from the collection of films set in Paris, used for Gus Van Sant's "Paris: Je t'aime". Two customers walk into a paint business, asking for help, one character has the compulsion to speak to another - and while language barriers restrict the growth of their relationship, the desire for one another is there.

The story is based on Voltaire's tale "Le monde comme il va" ("The world as it is"). Sent by the genie who presides over the destiny of Persepolis (Paris!), the Scythian Babouc carefully informs himself of everything, to tell the genie whether or not to destroy the city. This is the pretext for a series of interviews, scenes taken on the spot or reconstructed in the studio. We meet a musician who lives for his art and a Marxist historian, both of them optimists in the end; but also a war widow and an economically weak old lady: while the "fureur de vivre" gives free rein to the Golf Drouot and socialites hide their turpitudes behind a façade of good manners. A large, poorly housed family bravely faces up to its fate, and the children are happy; a working-class household talks about the union struggle, inhumane working conditions and reasons for hope. Finally, a poet sums it all up by talking about his commitment to the service of mankind.

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A retelling of Bluebeard by renowned photographer Sarah Moon

Although very self-confident, Marie-Pierre suffers from chronic, unwarranted jealousy. It has been months since she has been able to sexually satisfy her husband, Jean-Louis. He may seem docile, but she is convinced that he will end up cheating on her.

Jean-Pierre Melville's "The Red Circle" is summarised in a one-minute animation.